Living With B

Episode #: 3

Title: The Scales & the Sword

Director: Solvan Naim

Release Date: March 31, 2026

Runtime: 47 minutes

Episode Two Review | Episode Three Review | Episode Four Review

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⚠️ Spoilers ahead for this episode of Daredevil: Born Again ⚠️

Summary

Episode 3 of Daredevil: Born Again delivers the strongest episode of the season so far, combining thrilling action with meaningful character moments. As Matt chooses compassion over strategy, tensions rise across Fisk’s operation, the courtroom, and beyond. With classic one-shot energy and mounting mysteries, the series finally feels like it’s hitting its stride.

Full Recap

Episode 3 feels stronger than the first two episodes; the action is just killer. The final action sequence feels genuinely thrilling and brings me back to the one-shots Netflix loved using during the original Daredevil series, specifically Season 3 Episode 4’s prison hallway scene.

Daredevil sticks to his morals, which is something I really respect. Rather than following through with his original plan of retrieving the weapons, he chooses to save Fisk’s prisoners, including Mr. Jack Duquesne, the Swordsman. Not only do we get some fantastic Daredevil fight choreography, but the Swordsman also gets his moment to shine. The team-up works incredibly well, especially when Jack grabs pipes as impromptu swords, once again proving how quick on his feet he is.

As mentioned above, Episode 3 is a clear step up for the season. It brings forward momentum and excitement, and it feels like Marvel is finally finding the right pacing for introducing and resolving larger plot points (aka the tanker in the river).

The writers continue hinting at Heather taking on the persona of Muse, something I’ve been speculating about with Denver. At this point, though, the buildup is starting to feel a little obvious. Between the hallucinations, the mask, and her emotionless deposition, the reveal feels less like a mystery and more like an inevitability.

We finally get our courtroom drama: Kirsten vs. the State of New York. This marks the first time she meets her client, Jack, and honestly, they play off each other extremely well. Their dynamic adds a welcome bit of humor to the episode and makes their scenes genuinely enjoyable to watch.

When Matt visits Kirsten, it’s a little jarring to hear him attempt to change his voice. It feels somewhat random, even though I understand the intention behind it. Personally, I don’t think it was the best choice; suspension of disbelief probably would’ve worked just fine here, but it’s more odd than distracting.

We’re also introduced to the Governor of New York, Governor Marge McCaffrey (Lily Taylor). She initially comes across as a hard ass, and I thought she might actually put Fisk in his place and push back against his control over the city. Now, I’m not so sure. Even if she tried, Fisk would almost certainly find a way to shut it down.

The gala itself isn’t particularly memorable, aside from Vanessa seemingly setting up a potential romantic storyline between Buck and Heather. Is it necessary? Not really. It mostly feels like an attempt to give both characters more relevance.

My Takeaways

• Karen has grown significantly darker between Seasons 1 and 2. Her mission now feels rooted in revenge rather than justice, making her the polar opposite of Matt.
• Buck and Daniel’s interaction is funny but also adds unexpected depth to Buck. He’s no longer just Fisk’s annoyingly loyal follower — now we see him as a former Special Ops operative who just happens to still be deeply devoted to Fisk.
• I also liked how the episode chose to show rather than tell what Kirsten experienced while moving through Fisk’s underground prison. It may be slightly unrealistic that she remembers so much detail, but I wonder if what stuck with her were sensory clues: the sound of her heels hitting metal stairs, the absence of airflow in certain corridors, or suddenly feeling a breeze deeper inside the building.

Final Verdict

Episode 3 is easily the strongest episode of the season so far. The one-shot sequence feels like a perfect nod to the cinematography that made the Netflix Daredevil series so memorable. Overall, it’s a hell of an episode and an incredibly enjoyable watch.